Lâche pas: A Collection of Cajun Songs Arranged by Costas Dafnis

Pop-up Performance

The francophone song tradition of Louisiana is perhaps the most enduring European oral tradition in North America, with roots dating back as far as the twelfth century. It has survived multiple trans-Atlantic displacements, a nineteenth century cultural metamorphosis, anti-francophone legislation, and continues to live and evolve today. Composer Costas Dafnis arranged Lâche pas la patate, a collection of traditional Louisiana francophone songs, in 2018 for soprano Nancy Carey. The source materials for this collection were published transcriptions of field recordings collected during the early twentieth century, though the songs themselves have much earlier origins—some date as early as the Middle Ages. Though traditional Cajun songs have been represented in instrumental art music, Lâche pas la patate is the first representation of this vibrant song tradition in the art song canon. This lecture recital reveals common features of songs in this tradition—modes, themes, forms, and rhythmic devices. Furthermore, the lecture identifies Dafnis’ incorporation of these elements in his arrangements, provides analysis of style techniques, and also investigates the unique features of Cajun and Creole dialects found in this collection.

 

Performers


Nancy Carey

Nancy Carey

Dr. Nancy Carey is a musician and educator whose research centers on francophone song traditions of Louisiana. She presented at the Society for Ethnomusicology’s Annual Meeting in 2018, as well as the inaugural Forum on the Traditional Music of the Francophone World in 2021. She has also been an invited lecturer with the University of Wisconsin’s School of Continuing Education in 2020 and 2021. In 2019 she had the honor of teaching an international module course with Centenary College of Louisiana in which students studied the Acadian diaspora through music and song traditions of South Louisiana and Eastern Canada while traveling to Nova Scotia, New Brunswick and Québec.
In addition to being an educator and researcher, Nancy is a frequent regional soloist. Recent performances include concerts with Monroe Symphony Orchestra, South Arkansas Symphony Orchestra, Shreveport Symphony Orchestra, Opera Memphis, Shreveport Opera, and Prisma Vocal Ensemble. As an ambassador for new music, she is an annual artist with the New Music on the Bayou Festival. Nancy holds a Doctorate of Musical Arts from University of Memphis and a Master of Music degree from Louisiana State University, and she is currently Assistant Professor of Music at University of Louisiana at Monroe where she teaches graduate and undergraduate voice and music theory courses.

Matt Wood

Matt Wood

Dr. Matthew Wood (Matt) holds a Doctor of Musical Arts degree in piano performance from LSU, where he studied with Willis Delony and prepared research on alternatively-sized piano keyboards. He is currently pursuing a second doctoral degree at LSU, a Ph.D. in musicology, studying with Blake Howe and researching the influence of religion on Franz Liszt. From 2013-2020, Matt taught full-time at New Orleans Center for Creative Arts as choir director, opera conductor, accompanist, and instructor of music theory, aural skills, class piano, and music history. He currently teaches undergraduate music theory courses at LSU.


Noted for his “electrifying performance” (Andre Harrell II, Voyager), recent performances include recitals at the 2014, 2018, and 2019 World Piano Conferences in Novi Sad, Serbia; at the V Encuentro de Pianistas in San Jose, Costa Rica in 2019; and at Erin Hall in Cape Town, South Africa in 2019. He has performed solo recitals, chamber music, and piano concertos with orchestras throughout the United States.